Heinz Badewitz
  Europe’s most senior festival director

 

 

 

Heinz Badewitz - Director of the Hof International Film Festival


Like most people at the time, Heinz Badewitz – who was born in Hof - came to filmmaking in a roundabout way: equipped with his father’s 8mm-camera, he set out to make films not cast in the usual mould of ‘home movies’. However, he first trained as a technical draughtsman – and on the side gigging as a jazz drummer – until, in 1963, he went to Munich to fulfill his dreams and become a cameraman. He first worked at the print lab of Bavaria Atelier GmbH und then studied at the Deutsche Institut für Film und Fernsehen, the precursor of today’s HFF Munich. As of 1965, he worked as camera assistant and animation cameraman with Wolfgang Urchs.

Making shorts – seven in all - he was invited to Oberhausen und Montreal, among other festivals. When Heinz Badewitz and some other – then unknown – colleagues in 1967 screened their first shorts in the Regina Cinema in Hof, he inadvertedly ‘founded’ the Hof Film Festival.

Ever since, Heinz Badewitz has been the director of this festival – by now the longest-serving in Europe -, but he also worked as assistant director, e.g. 1971 for Bob Fosse on CABARET and 1974/75 for Norman Jewison on ROLLERBALL, and as production manager on many films of the New German Film, among others for Wim Wenders.

Heinz Badewitz is also responsible for the series ‘German Cinema’ at the film festival in Berlin and for presenting German films in Cannes.